B.A., 2002, Michigan State University M.A., 2003, Northwestern University Ph.D., 2008, Northwestern University
About Dr. Maxson:
Dr. Maxson's research focuses on the political, social, and cultural history of premodern
Europe, particularly Italy. His first monograph, The Humanist World of Renaissance
Florence, 1400-1480 was released by Cambridge University Press in early 2014. The
book examines the learned interests of hundreds of so-called amateur humanists in
Renaissance Florence and, using a case study of Florentine diplomats, argues that
demands of political and social rituals motivated the spread, form, and success of
the humanist movement. Dr. Maxson has also published numerous articles in venues including
I Tatti Studies, Archivio Storico Italiano, Renaissance Studies, and others. He has
held fellowships most recently from Villa I Tatti (the Harvard University Center for
Italian Renaissance Studies), the Marco Institute at the University of Tennessee,
and the Research and Development Council at ETSU. He was a recipient of the College
of Arts and Sciences award for Distinguished Research for the 2013-14 academic year.
Dr. Maxson keeps an updated profile on academia.edu (https://etsu.academia.edu/BrianMaxson)
and is also on twitter (@maxson_brian).
Areas of Academic Specialty
Europe between 1050 and 1700 Political, diplomatic, cultural, and social history Italy
The Humanist World of Renaissance Florence
This book offers a major contribution for understanding the spread and appeal of the
humanist movement in Renaissance Florence. Investigating the connections between the
individuals who were part of the humanist movement, Brian Jeffrey Maxson reconstructs
the networks that bound them together. Overturning the problematic categorization
of humanists as either professional or amateurs, a distinction based on economics
and the production of original works in Latin, he offers a new way of understanding
how the humanist movement could incorporate so many who were illiterate in Latin,
but who nonetheless were responsible for an important intellectual and cultural paradigm
shift. The book demonstrates the massive appeal of the humanist movement across socio-economic
and political groups and argues that the movement became so successful and so widespread
because by the 1420s¬-30s the demands of common rituals began requiring humanist speeches.
Over time, deep humanist learning became more valuable in the marketplace of social
capital, which raised the status of the most learned humanists and helped disseminate
humanist ideas beyond Florence.
After Civic Humanism: New Approaches to Politics and Learning in Renaissance Italy
The thirteen essays in this volume demonstrate the multiplicity of connections between
learning and politics in Renaissance Italy. Some engage explicitly with Hans Baron's
"civic humanism" thesis illustrating its continuing viability, but also stretching
its application to prove the limitations of its original expression. Others move beyond
Baron's thesis to examine the actual practice of various individuals and groups engaged
in both political and learned activities in a variety of diverse settings. The collective
impression of all the contributions is that of a complex, ever-shifting mosaic of
learned enterprises in which the well-examined civic paradigm emerges as just one
of several modes that explain the interaction between learning and politics in Italy
between 1300 and 1650. The model that emerges rejects any single category of explanation
in favour of one that emphasizes variety and multiplicity. It suggests that learning
was indispensible to all politics in Renaissance Italy and that, in fact, at its heart
the Renaissance was a political event as much as a cultural movement.
"The Lost Oral Performance: Giannozzo Manetti and Spoken Oratory in Venice in 1448,"
in Voices and Texts in Early Modern Italian Society (Burlington, VT: Ashgate, forthcoming in 2016).
"Diplomatic Oratory," in Italian Renaissance Diplomacy: Texts in Translation (1350-1520), edited by Isabella Lazzarini and Monica Azzolini (Durham: Durham University
Press, forthcoming in 2016).
"The 'Schemes' of Piero de' Pazzi," coauthored with Oren Margolis. Journal of Medieval History (forthcoming in December 2015).
"The Ritual of Command: Humanism, Magic, and Liberty in Fifteenth-Century Florence,"
in After Civic Humanism, edited by Nicholas Scott Baker and Brian Jeffrey Maxson, 113-129. Toronto: Centre
for Reformation and Renaissance Studies, 2015.
"Introduction" in After Civic Humanism, co-written with Nicholas Scott Baker, 15-30. Toronto: Centre for Reformation and
Renaissance Studies, 2015.
"Claiming Byzantium: Papal Diplomacy, Biondo Flavio, and the Fourth Crusade," Studi Veneziani 68 (2013): 31-59 (published in 2015).
"Giannozzo Manetti, the King, and the Emperor" text by Brian Jeffrey Maxson, with
textual edition by Stefano Baldassarri, Archivio Storico Italiano 177, no. 3 (2014): 513-69.
"Integration and Synergy of Research and Graduate Education in Science, Social Science,
and the Humanities," coauthored with Drs. Cecilia McIntosh and Karin Bartoszuk, Critical Conversations: An Interdisciplinary Journal 1 (2014): 70-92.
"'This Sort of Men': the Vernacular and the Humanist Movement in Fifteenth-Century
Florence," I Tatti Studies in the Italian Renaissance 16, no. 1/2 (Fall 2013): 257-271.
"Tester: A Story of Class, Academia, Punk Rock, and Generation X," in Generation X Professors Speak: Voices from Academia, ed. Elwood Watson, Marc Shaw, and John Kille (Meutchen, NJ: Scarecrow Press, 2013),
19-39 (written under the name "Malcolm Franklin")
"Establishing Independence: Ritual, Empire, and Leonardo Bruni's History of the Florentine
People," in Foundation, Dedication and Consecration Rituals in Early Modern Culture, ed. Maarten Delbeke, Jan de Jong, and Minou Schraven, 79-98 (Leiden: Brill, 2012).
"The Many Shades of Praise: Politics and Panegyrics in Fifteenth-Century Florentine
Diplomacy," in Rhetorik in Mittelalter und Renaissance: Konzepte – Praxis – Diversität, ed. Georg Strack and Julia Knödler, 393-412 (Munich: Herbert Utz Verlag, 2011).
"Kings and Tyrants: Leonardo Bruni's translation of Xenophon's Hiero," Renaissance Studies 24, no. 2 (April 2010): 188-206.