Time for work. As always, Jake begins his day by reading the poem he keeps taped to the wall of his booth
| Paint-spattered and weary |
| one stray curl straggling |
| free of his ponytail, |
| he comes to bed |
| Careful not to wake me, |
| he climbs into bed |
| and gently reaches out |
| to hold me-- |
| effortlessly entering my dreams |
| And later in the night, |
| he gently teases my body |
| into wakefulness with his |
| tender loving touch |
| Once more we sleep, |
| entangled in each other's arms |
| waking in the morning |
| to make love again |
| And I bask in the |
| Light of his love |
and he wonders, like he always does, if anyone will ever love him that much again.
Then his thoughts turn to a striking dark-headed chick he's seen around SCAD. It's obvious that she's rich and would probably never have anything to do with someone like him. "Hell," he thinks, "she's probably incapable of looking beyond appearances. And I certainly don't look like anyone she'd be caught dead with." Her loss, definitely her loss.
Jake's apartment as painted by Jake.
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