
Nate Paul
Adjunct Faculty
- Mathes Hall 306
Nate Paul, tenor, is an award-winning music director, performer, voice educator, and singing voice researcher whose career bridges professional performance, musical theater, classical voice, and evidence-based vocal pedagogy. Originally from Strawberry Plains, Tennessee, he has built a reputation for artistic excellence, innovative teaching, and interdisciplinary research at the intersection of voice science and performance.
As a performer, Paul's voice has been praised as "show-stopping and nothing less than thrilling" with "the presence of a stage-struck powerhouse" (BroadwayWorld: Nashville). He has appeared in productions including Mansfield Park, L'enfant et les Sortilèges, The Turn of the Screw, Die Fledermaus, The Merry Widow, and Sweeney Todd. He is also an accomplished concert soloist whose repertoire includes Dubois' The Seven Last Words of Jesus Christ, Sorenson's Requiem, Beethoven's Mass in C Major, Telemann's Die Donner-Ode, and Handel's Messiah, while maintaining an active recital career spanning opera, art song, gospel, spirituals, and both Golden Age and contemporary musical theater.
Equally recognized as an award-winning music director and conductor, Paul has led acclaimed productions of Les Misérables, La Cage aux Folles, Newsies, The Wiz, Heathers, The Addams Family, Seven Brides for Seven Brothers, and The 25th Annual Putnam County Spelling Bee, earning distinction for his conducting, collaborative musicianship and stylistic versatility.
Paul is deeply committed to advancing bridging the gap between the science of the singing voice and practical application in the voice studio. He has collaborated in singing science research with internationally recognized scientists, speech pathologists, practitioners, and researchers, including Dr. Johan Sundberg, Dr. Filipa Lã, Dr. Brian Gill, and Dr. Rita Patel. He has co-authored and presented research at the annual International Symposium at The Voice Foundation and has participated in international workshops on singing science and vocal health in Sweden. His current research investigates acoustical resonance strategies and vocal longevity in tenor bluegrass singers, integrating principles of vocology, acoustics, and performance practice to better understand sustainable vocal production across an array of singing styles.
As a teacher, Paul specializes in training singers in a wide range of genres while maintaining a strong habilitative foundation. He is a practitioner of Gill Mindful Voice Training, an evidence-based, mindfulness approach that equips performers with the ability to precisely self assess, maximize control and efficiency of vocal production. He prioritizes helping artists meet the demands of a long career that requires technical and expressive versatility. His students have earned acceptance into highly competitive programs including Rider University, Middle Tennessee State University, Berklee College of Music, Boston College, Columbia College Chicago, and the Indiana University Jacobs School of Music.
Paul earned the Bachelor of Music in Voice Performance from Middle Tennessee State University before completing both the Master of Music in Voice Performance and the Graduate Certificate in Vocology at the Indiana University Jacobs School of Music. He is currently working towards finishing his Doctor of Music degree at Indiana University where he received a full-tuition Performance Fellowship. During his doctoral studies, he served as an Associate Instructor, teaching undergraduate voice pedagogy while occasionally lecturing, tutoring, and assisting graduate students in the Vocology program. He also served as Assistant Professor of Voice at DePauw University, where he taught applied voice and voice pedagogy while mentoring the next generation of performers and teachers.
Through his work as a performer, director, researcher, and educator, Paul continues to champion the integration of artistic excellence with scientific inquiry, preparing singers for long, fulfilling, sustainable, and expressive careers across opera, musical theater, commercial music, and contemporary vocal performance."
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